Few bandleaders in the 1960s had the vision or ability to constantly change musicians and still create intriguing music every step of the way. John Mayall was one. Like Miles Davis and Frank Zappa, Mayall had a visionary knack for recognizing young talent and more importantly, how to assemble and arrange this talent into powerful musical units. In many cases, Mayall was the catalyst for these younger musicians discovering their own voices, gaining confidence, and defining their sound. This inevitably led to musicians striking out on their own, often to much greater success.
Fillmore Auditorium - San Francisco,CA. - Feb.9,1968
In the mid-1960's, Mayall had some of the greatest British guitar players working for him. Eric Clapton, followed by Peter Green, had helped redefine British Blues and brought a raw intensity as well as volume to the proceedings, that was being recognized globally. At the time of this concert, Green had departed to form Fleetwood Mac and Mayall brought in the young Mick Taylor as lead guitarist, yet another visionary choice. With a Bluesbreakers lineup that now featured Dick Heckstall-Smith and Chris Mercer on saxes and the rhythm section of Keith Tillman and Keef Hartley, they were a serious force to be reckoned with.
This incredible night, where John Mayall and the Bluesbreakers performed between Albert King and the Jimi Hendrix Experience must have been a feast for blues fans and guitar players alike. The recording begins poorly mixed during the opening "Dust My Broom," but by the second song "So Many Roads," the instrumental balance is quite good. Mick Taylor fans might find this recording like a holy grail, as so little exists of this era. Mayall released two poorly recorded live albums of this lineup that, although sourced from mono recordings, clearly demonstrated that Mick Taylor was indeed in the league of his predecessors. Here one can enjoy that same era in far better clarity.
Being on a bill sandwiched between King and Hendrix must have been intimidating for all involved, especially Mick Taylor, but he rises to the occasion. His fluid guitar playing is simply outstanding on this set. One gets the sense that Taylor studied his predecessors carefully and was consciously avoiding duplication. He is striving for a sound uniquely his own and he is thoroughly successful. He has little interest in flashiness and instead, often plays in a manner both thoughtful and refined. This isn't to say he doesn't cut loose - he does spectacularly on "So Many Roads" and "My Own Fault," the two most improvisational pieces. On these, he has plenty of bite, a distinct touch and a delicious tone. The set ending "Soul of a Short Fat Man" features drummer Keef Hartley and it's a wild blowout by all concerned.
This lineup only lasted for a brief span of time, but the music they created deserves and rewards attention. Once again, these musicians would soon move on to more challenging adventures. Dick Heckstall-Smith would soon be a founding member of Colosseum. Chris Mercer would hook up with Juicy Lucy. Keef Hartley would establish his own band, and of course, Mick Taylor, would become a Rolling Stone the next year and soon be a prime component on some of the decade's most memorable music. However, it was right here that these musicians were discovering themselves
Shot in 1968 on Rick Shaw's "Saturday Hop", Miami, FL. John Mayall - v,g Mick Taylor - g. Stephen Thompson -b. Collin Allen - dr. - John was 34 years old and had a young looking Bluesbreaker band that didn't look too enthusiastic being on TV. Check out Mick Taylor on the guitar. Sooo young and talented...
John Mayall's Bluesbreakers - Help Me (Marquee Club, 1967)
from the live performance in Marquee Club, 1967
The'Bare Wires' version of the Bluesbreakers
Chris Mercer Hammond organ.
Mick Taylor g (seventeen years old!)
John Mayall voc,harp
Keef Hartley drums
Keith Tilman bass
Dick-Hecstall Smith Tenor Sax
Για πρώτη φορά στην Ελλάδα, ένα ντοκιμαντέρ με παραγωγό το θεατή. Το Debtocracy/ Χρεοκρατία αναζητά τα αίτια της κρίσης χρέους και προτείνει λύσεις που αποκρύπτονται από την κυβέρνηση και τα κυρίαρχα μέσα ενημέρωσης.
Το δόγμα του σοκ !
Το δόγμα του σοκ και η άνοδος του καπιταλισμού της καταστροφής: το βίαιο παρελθόν της πλέον κυρίαρχης ιδεολογίας της εποχής μας.
Φόβος: Ουσιαστικό. Αλλά και ουσιαστικός.
'' Όσοι το χάλκεον χέρι βαρύ του φόβου αισθάνονται,ζυγόν δουλείας ας έχωσιθέλει αρετήν και τόλμην η ελευθερία." Ανδρέας Κάλβος
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crossing the lines
in the 5th season
The Perfumed Garden Of Folk Blues
Once he said "If songs were lines / in a conversation / the situation would be fine" Nick Drake
" Once he said "If songs were lines / in a conversation / the situation would be fine"
When The Power Of Love Overcomes The Love Of Power,The World Will Know The Peace.
"Sri Chinmoy Ghose''
"Μόνο όταν κοπεί και το τελευταίο δέντρο
Μόνο όταν δηλητηριαστεί και ο τελευταίος ποταμός
Μόνο όταν πιαστεί και το τελευταίο ψάρι
Μόνο τότε θα ανακαλύψεις
ότι τα χρήματα δεν τρώγονται..
(Προφητεία των Ινδιάνων Κρι)