John Mayall - vocals, guitar, harmonica, keyboard 
In the mid-1960's, Mayall had some of the greatest British guitar players working for him. Eric Clapton, followed by Peter Green, had helped redefine British Blues and brought a raw intensity as well as volume to the proceedings, that was being recognized globally. At the time of this concert, Green had departed to form Fleetwood Mac and Mayall brought in the young Mick Taylor as lead guitarist, yet another visionary choice. With a Bluesbreakers lineup that now featured Dick Heckstall-Smith and Chris Mercer on saxes and the rhythm section of Keith Tillman and Keef Hartley, they were a serious force to be reckoned with.
This lineup only lasted for a brief span of time, but the music they created deserves and rewards attention. Once again, these musicians would soon move on to more challenging adventures. Dick Heckstall-Smith would soon be a founding member of Colosseum. Chris Mercer would hook up with Juicy Lucy. Keef Hartley would establish his own band, and of course, Mick Taylor, would become a Rolling Stone the next year and soon be a prime component on some of the decade's most memorable music. However, it was right here that these musicians were discovering themselves,+August+6,+1970%5D.jpg)
Dance With Me: The Autumn Teen Sound (Nuggets From The Golden State series) 
45s:
Although this band was based in San Francisco some members originated from Florida. The original band formed in Coral Gables, Florida as The Valiants. Singer Jim Alaimo (cousin of singer Steve Alaimo) had early releases under the names Jimmy Sumers and The Slicks and Jimmy Paris. The Valiants also back Steve Alaimo on his 1961 album Twist With Steve Alaimo. It was pretty much the same line-up that moved to San Francisco in 1964 and became The Mojo Men. For much more info, see the liner notes of the Sundazed compilation Why's Ain't Supposed To Be.
In late 1967 the band became known as Mojo because Jan Errico got tired of being known as a Mojo Man. They also changed labels to GRT so that they could record an album. Released in 1968 it was produced by Dave Hassinger. It contained their New York City 45, which suffered from sounding too much like The Mamas and Papas, and overall contained a number of mildly psychedelic, post-Sgt. Pepper pop rock songs. The band finally split in 1969 when they realised their era had ended.
There remains a lot of unissued material from both eras of The Mojo Men. From their time with Autumn fifteen tracks remained unissued although some of these later appeared on Eva's Dance With Me compilation and the superior Sundazed retrospective Why Ain't Supposed To Be. A further nineteen tracks were recorded but not released during their spell with Reprise. These include the long and experimental What Kind Of Man, which was reputed to be a latter-day venture into psychedelia by the band.
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Η ΔΗΜΟΤΙΚΗ ΡΑΔΙΟΦΩΝΙΑ ΤΡΙΠΟΛΗΣ, ΤΟ ΕΝ ΧΟΡΔΑΙΣ ΚΑΙ Η TIMEMACHINE ΠΑΡΟΥΣΙΑΖΟΥΝ:
Το δελτίο τύπου που λάβαμε δεν δίνει πληροφορίες. Η πιθανή σύνθεση της μπάντας πρέπει νά είναι :Sam Andrew - guitar, vocals, Peter Albin - bass, vocals, David Getz - drums ,και στην θέση του μεγάλου κιθαρίστα JAMES GURLEY(δείτε τον εδώ τον Θείο James με το μώβ μαντήλι, να αφήνει ''χώρο'' στα νιάτα στον Ben Nieves) πιθανός αντικαταστάστης του, ο Ben Nieves.(guitar) The younger from Cleveland και στην φωνή πιθανόν η Sophia Ramos 
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